09 November 2009

This too shall pass (I hope)

The Lindy Hop
Dance, you mad whirling bastards!  Kick up your heels thusly!

Dancing is just one of those things
I cannot do (sober) unless it is a full moon.  Lycanthropy and coordination are
remarkably similar conditions...  So why do I sometimes
think that
I should
dance
with
you?

New thought:

Where were you when Michael Flatly became intolerable to watch?  I don't remember, myself,
not when there are other things to never forget remembering.  Never remember.

Yell up the stairs saying hello for the first time or the
most recent time (time being what it was, it will be impossible to have been recalling)
did they actually know just what is/couldbe/wouldbe/won'tbe/am?

Thump.  Thump.
The dancers jump.
Twist. Twist.
Methinks they're pissed.
Flop, flap.
The people applaud.

07 November 2009

In Which I am not a Poet

This does not make me a poet

There might be some temptation you see to say that now, now that I haven't written anything that
isn't poetry
isn't essay
isn't anything like a lie
for a while that I have stopped being author to become a poet.

I never thought much of the machinations of the universe (university)
not when it came to what it did to me (not free, that's the solution for—getting head of myself).

There are only a few times a month when I am write.
Savor this one.  Cleverness offset by a writing mistake.

Yin and yang.

I stole that from a conversation we had once.  Originality is a grand thing.

This is stolen too:

Do you want to become a lonely grumpy smartass?
That's implying I'm not already.

I made this poetic by saying it was poetic.  Don't you agree?

Line breaks wear down returns.  There is an ancient mariner, and he refuses to pay his fee.

Fi.

Fo.

Fum.

We done here?
Yeah, we're done.

02 November 2009

What is Language and Why does it Matter?

  Language, as defined by the Oxford English Dictionary, is difficult to pin down.  Even this concept has multiple meanings; “The system of spoken or written communication used by a particular country, people, community, etc., typically consisting of words used within a regular grammatical and syntactic structure,” “the vocal sounds by which mammals and birds communicate,” “A means of communicating other than by the use of words,” (emphasis mine) and even “The style of a literary composition; (also) the wording of a document, statute, etc.”  There are more meanings to the word, which is perhaps the problem in a nutshell: Language cannot be described without the use of itself.  That is to say, one must use language in order to describe language.  Any discussion of the use language must, therefore, begin with the acknowledgement that language is itself as nebulous as any other term.


  It is not the intention of this essay to gaze too deeply into the abyss that lurks behind the assigned meaning(s) of a word, but it illustrates an inherent instability in the practice of language that has been noted by other writers and will continue to be noticed and commented upon; it will be the case that writers and indeed anyone who speaks (any) language(s) will forever have to wrestle with language in order to convey the meaning they want to convey, or at least a meaning that can be called close enough for comfort (or government work, or your own phrase of choice).  This still does not come any closer to saying what language is, though it does come closer to saying why it's important; language is perhaps the best possible (though imperfect) method for transmission of thoughts short of telepathy.


  Language allows the world to if nothing else make slightly more sense than it would otherwise, and allows the people of the world to make a kind of sense of one another.  Language makes sense of things, categorizes things, expresses what could not be otherwise expressed.  This is the importance of language, this is why language matters.  Language's rather nebulous nature, however, means that using language to communicate complex ideas takes a special amount of care and precision.  True mastery of language comes from being able to communicate one's ideas clearly and effectively.  To say what needs to be said in a way that the meaning is left to little doubt, to utilize all the tools which have been created for the management of language over centuries of practice (metaphor, allegory, etc.), to use the rules of style and form that had been agreed upon for forms of fiction and essay and poetry—that is what separates a writing novice from a true craftsman, so to speak.  In the beginning, anyway...




All content is copyright 2007-2009 by Aaron Poppleton. If you were to steal it, I would probably have to hunt you down and do something unspeakable to you.