Here's some of them, at any rate. I don't know if it's good or not, because poetry's a lot weirder than a story. A story, you can read and it either tells you a story or it doesn't. A poem can do whatever the fuck it wants, and rarely feels the need to explain itself.
So here's some of them, with more to come...if I ever decide to post more of them.
Fine
Are you happy now?
Look at this! I think it's
Terrible, don't you? This is
Not a story at all;
It's something sinister,
Manufactured poetry--
Should I mention my mother?
Maybe some painful
Allusions, bring home the
Drama.
It's your fault, you know. I was
Happy telling stories, but
That wasn't good enough for you, was it?
Hydras! There, a mythological allusion,
To show I'm classy
Well read.
Keep the punctuation sparse,
Use it sparingly, space it out
Over several lines so that people don't
Know how to read it.
There I'm a poet now
Does that make me
An artist?
I've got stories to tell, tales of
The good old days and the
Not so good days and
Boring days but
This will be published
Probably taken seriously
Because you can analyze it
Easily.
Lazy bastards.
Criseyde
Troy burns and she stands on the shore,
Hears the dying,
Watches the smoke claw upward,
Souls on their way to Hades
Or somewhere else.
The ship carries her off
While her lover paces the deck
Impatient to be home
To see where he used to live.
He carries on with the crew,
Knows them all,
And so does she
(Perhaps in more ways
Than one).
She knew it would happen
She is forgotten,
Another trophy
From a war over trophies.
Greece is strange to her
The language is not her own
And the food's not her own
And her home is not her own
But his,
Even though he doesn't go there
Anymore.
It does not bother her.
She smiles in crowds,
She walks through parties
Wearing her mask,
The face she shows the world.
And when the parties are over
She goes home (but home was
Destroyed a long time ago)
And she sits regretting
In the dark
With shades
For company.
Criseyde
You've seen her in class,
Proud at her desk,
Back straight, eyes forward,
Viewing the world
With detached air.
She doesn't say much, nor does she
Seem to be paying attention;
Paying attention is for the
Smart or the stupid
(Depending on who you ask).
In the diners she is
Surrounded by people, always
Smiling, comfortable, collected.
The others walk by
And she smirks
Or says nothing
Or says something
But it's clear they are not the
Same as she.
She's better,
Or worse,
Even though she tries to be
The same.
And when she goes home
(Wherever home is (whatever
Home is)) she goes to
Her room and she
Tries to remember who
She really is
Before the loneliness hits
And she's got to
Ride it out
Like a wave
Or an earthquake
Or a strong wind,
A sinking,
Dipping dance that
Leaves her
Spinning around
Inside her own head
Behind the masks
She can't take off anymore,
Not even when she's alone,
In the dark
With shades for company.
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